Wednesday, 23 January 2013

Maoyu, Episodes 1-2: The Economics of War 101



- You will be mine, Hero! - I refuse! & Please Make Us Human
 
Summary
Fifteen years have passed since the war between demons and humans began. Human armies have secured a foothold in the land of the demons, but in response the demons manage to occupy human territory, launching an offensive against the Southern Nations. In the midst of chaos and suffering a hero arose, his quest to defeat the demons bringing hope to the Central Nations. Then, for reasons unclear, he left his companions and struck out to face the Demon King on his own.

He reaches the castle of the Demon King, but it’s strangely deserted, until he reaches the throne room and sees a figure facing the far wall. Realizing it must be the Demon King, he draws his sword, declares that the end has come, charges, and – OMG boobs! The girl identifies herself as the 43rd Demon King – what? It’s the traditional title. He tries to repeat his challenge, but she acts like he’s strolled in for a chat. Why? Because the time has come – she’s going to make Hero hers. He says no.

He tries to back up his position with reference to the suffering demons have caused humans, but she’s got a rebuttal for everything. Poor resource management, politicians getting caught and trying to cover their own asses, self-interested ‘charity,’ all the accusations he levels against the demons are shown to be the result of human greed and warmongering. The Central Nations are prosperous because the war, and the relief aid they send to the South Nations, allows them to be, the South bearing the brunt of the fighting while the rich of the Center hold balls every night.

Demons aren’t any different, she explains, but it’s the truth – both sides are fighting because they need to fight. If it stopped, businesses would be ruined, food exports would stop and leave thousands to starve, and there’d be thousands more unemployed who know no trade except fighting. The prosperity of the Central Nations would collapse, while the kingdoms of the resource-poor South would go under entirely. That’s why she wants the Hero – not just because she’s crushing hard for him, but because she wants to join forces with him to find a better way. He’s initially put off by her advances, but he doesn’t like what he’s learned about the war and his own people either, so he agrees.

Oh, and her horns are fake.

They set themselves up at a manor in a small, recently-established village, using the cover story that the Demon Queen is actually a noblewoman educated at the Holy Capital who’s come to teach the villagers new farming techniques. One night, just as Hero shows increased receptivity to Demon Queen’s advances, the moment is ruined when something spooks the horses. They find two dirty, rag-clad girls hiding in the stables, whom their housekeeper, Demon Queen’s long-time companion and governess Head Maid, identifies as serfs. She wants to report them, arguing that it isn’t worth damaging their reputation to start a dispute over escaped serfs, but Hero is against it and Demon Queen ends up taking his side, giving the girls clothes and food. The eldest begs them not to say anything for a few days, but Head Maid reprimands them for trying to take advantage of their hosts’ generosity this way. And even if the latter agreed, what are they going to do, beg in the streets? They’re serfs, unable to decide their own fate and thus insects, unworthy of respect, and therefore have no right to ask anything of their betters – in other words, not even human. Unwilling to give up, the eldest says if that’s the case, then can she please make them human? Impressed by her audacity, Head Maid agrees to hire them as assistants, and Demon Queen also begins educating them alongside her other students. They prove more apt pupils than their more privileged counterparts.

Demon Queen’s plan to introduce four-crop rotation, superior to the current three-crop system the villagers use, is initially met with resistance, but once she starts teaching the sons of some of the local notables her influence increases and she can start to create changes. Hero wonders when results will become apparent, or what good they’ll do, but Demon Queen isn’t worried. After all, she has a secret weapon…

Thoughts
So, is this Spice and Wolf: Agriculture Version? Seriously, it’s got the same set-up: pseudo-medieval setting, normal human man, supernatural woman, they team up. Granted, the plot seems to be ‘save the world through-cooperation and understanding’ whereas Spice and Wolf was more ‘Take Horo home, while Laurence tries (and generally fails) to make money in the meantime,’ so it’s probably not gonna be them trying to reform a village forever, but these two episodes still felt like someone took the latter and replaced the economics with agriculture. Well, maybe ‘everyday life in a medieval village’ would describe it better, but it’s the same basic idea.

And boy is it gonna feel weird calling these characters by names like ‘Hero,’ ‘Demon Queen,’ or ‘Head Maid.’ Seriously, the younger of the two sisters goes around calling him ‘Hero,’ is that actually what others call them; don’t they have, like, real names or aliases or something? They can’t very well go around calling her ‘Demon Queen,’ after all. Eh, every time someone from the village addresses her, it’ll probably just be as ‘milady.’

And speaking of demons, why are there demons at all when they look physically identical to humans. More than likely that’s meant to be a satire of how the other side in a war is often (pun not intentional) demonized when they actually aren’t so different, it’s just that so far there hasn’t been an obvious reason why they needed to be demons instead of just an enemy nation that’s been built up as some kind of Mordor deserving of destruction. Or why spellcheck doesn’t recognize Mordor; seriously, isn’t Lord of the Rings well-known enough? Back on topic…their home does look wasteland-y enough that maybe there is a reason that just hasn’t been brought up yet.

One thing I’m worried about, though, is that the series will fall into the Medieval Morons trap with the humans. The demons are hinted to have greater scientific and socio-economic knowledge than humans (Demon Queen mentions pollution, which just makes Hero go ‘huh?’), and Demon Queen’s modern-sounding understanding of things like agriculture and military campaigns is met with resistance and disbelief. To be fair, this isn’t all outright stupidity – the village elder has the well-being of the entire village to consider, so it’s understandable that he’d be reluctant to risk a harvest to try out a system that’s to him new and unproven, and the boys Demon Queen is teaching are young enough to have never seen a battle, or likely been taught its realities, since they’ve probably been groomed to potentially be future soldiers and thus would be taught that it’s all glory and ‘kick so much demon ass all the girls will swoon before your sheer manly badassness.’ Some of them are just not well-educated in things besides war and fighting – that’s exactly what Hero’s like, by his own admission, and he isn’t completely stupid, being willing to listen to and be convinced by Demon Queen’s arguments and evidence. The real thing that got me wondering about this was Head Maid’s reaction to the serf girls, specifically her reason for feeling contempt towards them. ‘Serfs are people who can’t decide their own fate, and such people are nothing but insects, not deserving of compassion or rights.’ Well no shit they can’t decide their own fate, not when they’re dirt fucking poor. It frames the institution of serfdom in a way that makes it so self-evidently wrong that people would have to be stupid to accept the arguments in favor of it. Sure, some people in the Middle Ages probably did see serfs that way, but that’s nowhere near the entire picture of why it existed. Maybe Head Maid is just supposed to be callous, and it’s not like she holds that view rigidly, given how quickly she changes her mind once the older sister shows some spine, and I’m worrying over nothing. But it skirts too close to depicting a different era with different realities and worldviews through a modern filter that makes it look like people back then only thought that way because they were dumb and didn’t know any better, which is an easy trap to fall into and especially common when portraying the Middle Ages.

So, not amazing so far, but not bad either. I’ll keep on watching for a bit to see where it goes.

No comments:

Post a Comment