Wednesday, 24 August 2011

More Than Just a Barbarian: Introducing Newcomers to Conan the Cimmerian

Inspired by the release of the new Conan film and a “Momoa isn’t AHNOLD” comment on Facebook, I started wondering which of Robert E. Howard's original Conan stories would be the best to introduce a newcomer to the genuine article. Not necessarily my personal favorites (although the two do mostly overlap), just which ones would provide a good sample of the original stories. Given the movie’s poor reception, it’s probably more crucial than ever to let people know there’s more to Conan than Schwarzenegger and the quest to avenge his parents. Really, there’s no reason to be limited by that when so many of Howard’s stories have straightforward plots with plenty of underlying thematic depth that could translate well to the big, or even small screen. And if there’s no faithfully-adapted film to draw people to Howard’s work, then maybe a select sample of his best stories, or at least his best Conan stories, is the alternative for getting people to realize there’s plenty of material already available without the need for an origin story. And the more interest there is in the originals, the more chance there is (hopefully) that they’ll get the treatment they deserve.

With that in mind, my criteria in picking stories were:
  • Show Conan in a variety of occupations and situations, with a variety of outcomes. As conceived by Howard he was more than a muscle-bound caveman who slays the monster/(probably non-white) sorcerer and heads off into the sunset with the girl over his shoulder and the treasure under his arm every time, and one of the points of this is to show that he was far more complex and interesting than that.
  • Choose ones with strong female characters. As a corollary to the above. Women in these stories weren’t always scantily-clad damsels in distress and that’s equally worth pointing out.
  • They should be some of the best Conan stories plain and simple. After all, what better way to introduce something than to show how good it can be? 
This is meant to be roughly in reading order rather than a ranking of quality. Also, if you “newcomer to Robert E. Howard’s Conan” applies to you, be advised that everything after the list contains spoilers.

1.       The Phoenix on the Sword
  • This one just feels like it’s meant to be read first. Not only does The Nemedian Chronicles serve as a great encapsulation of the Hyborian Age, but much of the description and characterization of Conan dwells on how he’s a barbarian among civilized men and uncomfortable with their ways, which the reader already knows if they’ve read other stories. And since it can’t help but introduce Conan and really highlight the underlying themes of the stories as a whole, having been written first, I really can’t think of a better place to start.
2.       The Tower of the Elephant
  • Highlights Conan’s career as a thief and gives a different take on the way monsters and treasure are usually handled in sword-and-sorcery stories. These stories may have helped launch the genre, but they’re anything but typical, and Tower of the Elephant shows that nicely.
3.       Queen of the Black Coast
  • Introduces one of Howard’s strong female characters in Bêlit, and gives us a glimpse of Conan’s intelligence and philosophical side. His speech to Bêlit is far more poetic than “crush your enemies” and alongside his relationship with her demonstrates his complexity as a character.
4.       Beyond the Black River
  • This story powerfully illustrates not only the clash between civilization and barbarism that underlies many of the other stories, but also its complexity and nuances in the contrast between the situations of the Pictish natives and Aquilonian settlers, and the fact that Conan, a barbarian, is working for the civilized Aquilonians. What’s more, Conan isn’t even the main character, or the only one who performs worthy deeds.
5.       Red Nails
  • We have Valeria, another strong female character who more than anyone except Bêlit is a skilled adventurer in her own right, and gets to demonstrate it in-story. It also has an effective demonstration of the savagery that lies beneath a civilized exterior, with the remnants of past glories contrasted with a bloody feud that reminds us how dangerous, and ultimately petty, they can be.
I wanted to keep it to just a few, so obviously there are some omissions that would otherwise be worthy. The Frost Giant’s Daughter, of course, because it shows Conan as a pure warrior. That is part of his character, after all, but it’s easy without a close reading to assume Conan is motivated purely by his own desire to rape Atali. Not really the best idea when giving recommendations to someone who knows nothing about him or thinks that’s all there is to his views on women. I also would’ve included Black Colossus, which does the best job of showcasing Conan as a leader of men (it didn’t make the cut because he gets the girl, but even with the outlined criteria I’m sure that’s probably a bit arbitrary), as well as People of the Black Circle, which is the best “Conan vs. sorcerers” story and shows it’s possible for women to not swoon before his rugged manliness by the end of the story.

I don’t think this would necessarily be the best introduction to Howard in general, but I still haven’t read enough of his work to make that kind of judgement. However, since Conan is his most recognizable character, maybe he’d make a good “gateway” into reading Howard?

Sunday, 21 August 2011

Reread of the Hawk: Berserk, Volume 11


What Happens

Devil Dogs, Chapters 1-4
The Black Dog Knights were created during the war, when a shortage of troops forced the King to draw on the able-bodied criminals of the kingdom. Their prowess was equal to the Hawks, but they were notorious for butchery and plunder regardless of which side their victims were on, tolerated only out of need and sent to remote battlefields. Worst of all is their leader Wyald, and the King believes he isn’t even human.

A family of farmers is more than happy to help the hero Griffith by giving the Hawks a place to rest and lending them a cart, but after they leave the Black Dogs show up, killing the family but raping the women first. As they pursue the Hawks Guts breaks away to buy the others time, meaning to do it alone but offering no objection when Pippin joins him. But no matter how many they kill the Black Dogs keep coming, and Guts realizes it’s because they’re afraid of Wyald, who steps up to fight Guts and stops his sword bare-handed. Guts realizes Wyald’s giving off the same feeling he got from Zodd and the Skull Knight.

Breaking away from the fight, Guts and Pippin make it over the nearby bridge just as Casca sets off the barrels of gunpowder they planted underneath. Many of the Black Dogs are killed, and the others are reluctant to follow directly when the rest of the road is likely booby-trapped as well, but the thrill-seeking Wyald scares them into action, exulting as he plows through every trap the Hawks have set.

They reach Corkus and the rest of the rescue team, and Guts challenges Wyald while the others fight his men. Wyald mentions hearing about Guts from Zodd, which confirms the latter’s suspicions. It takes everything Guts has to stand against him, yet he’s fighting by pure reflex.

Sunday, 14 August 2011

Reread of the Hawk: Berserk, Volume 10


What Happens

Sparks From a Sword Tip
For the past year, Guts has been living in the mountains with a man named Godo, who’s been a blacksmith all his life but has never questioned why he does it. However, seeing the sparks when he hammers iron makes him feel like he’s seeing his life before his eyes. Hearing this, Guts draws a parallel to what happens when he swings his sword in battle, and he realizes that’s truly the life for him.
                                                                                      
Back in the present, Casca asks Guts is he’s back for good, but he isn’t – only long enough to rescue Griffith. She gets angry over that, complaining that he’s just like Griffith, thinking only of himself and his dream. Then he suggests she come with him when the rescue’s over.